- Museo Arcivescovile
Immortal peacocks on a sarcophagus. - Saint Andrew's Chapel
The ceiling in the narthex. Plenty of different birds, most notably the famous ducks, and the white lilies. - Saint Andrew's Chapel
Narthex of the chapel depicting Christ dressed as Roman emperor, standing on a lion and a snake (Psalm 91). His book says EGO SVM VIA VERITAS ET VITA - I am the way, the truth, the life. The top part is original mosaic, the bottom part is just painted! - Saint Andrew's Chapel
I told you it was fake. Just painted on the wall. Oh well. - Saint Andrew's Chapel
Saint Mark's lion holding the thickest Gospel - despite Mark's Gospel being the shortest of all four. - The Fourth Rider of the Apocalypse, detail
Detail of the Fourth Rider of the Apocalypse by Imants Lancmanis (from 2007-2009). Painting is in the National Museum of Art. - Porto Azzurro
Via Nardelli Vincenzo - Double-headed eagle
On the corner of Stephansplatz and Jasomirgottstrasse. - Santi di Tito - Detail
Santi di Tito - Detail. Museo Civico, Sansepolcro. - Volta pinta
Volta pinta (1556) - Loggia under Palazzo del Comune in Assisi. The frescoes are inspired by Nero's Domus Aurea in Rome. Painted probably by Raffaello Coda da Rimini. - Volta pinta
Volta pinta (1556) - Loggia under Palazzo del Comune in Assisi. The frescoes are inspired by Nero's Domus Aurea in Rome. Painted probably by Raffaello Coda da Rimini. Honestly, I don't know how to feel about this image... - Volta pinta (1556) - Loggia under Palazzo del Comune in Assisi
The frescoes are inspired by Nero's Domus Aurea in Rome. Painted probably by Raffaello Coda da Rimini. Inspired by Nero probably explains it. - Volta pinta (1556) - Loggia under Palazzo del Comune in Assisi
Volta pinta (1556) - Loggia under Palazzo del Comune in Assisi. The frescoes are inspired by Nero's Domus Aurea in Rome. Painted probably by Raffaello Coda da Rimini. Yes, Nero. - Fontana Maggiore
Fontana Maggiore (1275-1278), Perugia. Romulus and Remus and their wolf-mother. - Dragon underneath San Crescentino in front of the cathedral, Urbino
San Cresentino is the patron saint of Urbino. - An allegory of melancholy
An allegory of melancholy (1528) by Lucas Cranach, detail. This is a group of witches riding in the sky (a boar, a cow, a cat? ...) - An allegory
An allegory (1590) by El Greco, Domenikos Theotokopoulos. A very unusual painting, probably illustrating "the simple moralising message that lust appeals to our foolish and baser instincts". - The Monarch of the Glen
The Monarch of the Glen (~1851) by Sir Edwin Landseer - Church of the Holy Souls
The Nativity scene. Set is a mixture of 16th century buildings as well as more recent ones. - A tile on a wall
Not the official coat of arms of Marciana, but it could be. - Tiger graffiti
Tiger graffiti in Èze. Exceptionally well made. - Chiesa di San Pietro Extra Moenia
The two panels indicating the contrast between posthumous fates of a righteous man (above) and of a sinner (below). - Chiesa di San Pietro Extra Moenia
The story about the lion and the woodcutter. - Siena Cathedral
She-wolf of Siena, surrounded with emblems of confederate cities, dating from 1373. - Siena Cathedral
The Hellespontine Sibyl (detail) by Neroccio di Bartolomeo. She was known for her prediction of Crucifixion. The wolf and the lion represent Siena and Florence. - :-)
Two doggos watching the Florence Cathedral. - Palazzo Vecchio
A lion in the Palazzo Vecchio. No, this time we didn't enter it, just walked around the palace a bit. - Tiles in Alfama
Finding little treasures while getting lost in Alfama. - Panda Bâ
Panda Bâ by Julien Marinetti, it was placed here just two weeks prior to our visit. - Tapestry
A magnificent almost 8 m long "thousand flowers" tapestry is from the 16th century. What an interesting motif... - Saint Andrew's Chapel
The dome is decorated with four angels pointing towards IX, and the four symbols of the evangelists. - Museo Arcivescovile
Pulpit - ambo (597) shows plenty of animals as well as Saints John and Paul. Made out of a reused old sarcophagus. - Museo Arcivescovile
- Classe
My guess would be that the difference in green background also means the border between the original and restored mosaics.