- Abbazia di Sant'Antimo
Capital with Daniel and the Lions by Master von Cabestany (12th century). - Fountain
A relief on an early Renaissance water basin with the coat-of-arms of the monastery. - Santo Stefano alle Trane
- San Rufino Cathedral
Two hungry lions at the entrance. - San Rufino Cathedral
Spider-dog! On the Assisi Cathedral! I wonder what the official explanation is. - Chiesa di San Pietro Extra Moenia
The two panels indicating the contrast between posthumous fates of a righteous man (above) and of a sinner (below). - Chiesa di San Pietro Extra Moenia
The main portal with the reliefs of a peacock pecking grapes (top), a grazing cow (middle), and a man driving a yoke of oxen, while his dog jumps up in front (bottom). - Chiesa di San Pietro Extra Moenia
The story about the lion and the woodcutter. - Siena Cathedral
She-wolf of Siena, surrounded with emblems of confederate cities, dating from 1373. - Siena Cathedral
The Hellespontine Sibyl (detail) by Neroccio di Bartolomeo. She was known for her prediction of Crucifixion. The wolf and the lion represent Siena and Florence. - Abbazia di Sant'Antimo
The exterior is full of funny creatures. - Abbazia di Sant'Antimo
Capital with Daniel and the Lions by Master von Cabestany (12th century). - Abbazia di Sant'Antimo
Another lovely creature on the church. - Abbazia di Sant'Antimo
- Abbazia di Sant'Antimo
I did say a lot of strange creatures, right? - Gargoyle in the cloister
A rather interesting gargoyle. - Museo Arcivescovile
Pulpit - ambo (597) shows plenty of animals as well as Saints John and Paul. Made out of a reused old sarcophagus. - Classe
My guess would be that the difference in green background also means the border between the original and restored mosaics.