- Room of discoveries
Ceiling in the Room of Discoveries by Bernardo António de Oliveira Góis (c. 1770-c. 1820) and Cyrillo Volkmar Machado (1748-1823). - Convento dos Capuchos
The Door of Death is the entrance to the monastery. - Monasterio de San Jerónimo
And the very busy ceiling. - Mexuar
Tiles on the wall of the Mexuar Council Hall, which served as the entrance to the Nasrid palace. Plus Ultra was the motto of king Charles V. - Hall of the Ambassadors
Detail on the Hall walls, part of a larger inscription in Kufic script. One can still see traces of blue colour, as these arabesque and geometric motifs were originally painted with bright colours. - Hall of the Abencerrajes
The ceiling in the Hall of Abencerrajes. The decorations are called muqarnas, and in the museum is a very instructive exhibition on how such a ceiling was made. Basically a lot A LOT of tiny pieces (alveoles) put together. - Ornaments
- Zellij in Alhambra
More wonderful zellij pattern in the palace. - Stucco in Alhambra
Detail of stucco on the wall indicating that the decorations were indeed colourful. - Hôtel-Dieu de Beaune
The ceiling in the Room of the Poor is an upside-down boat-skiff shape. - Hôtel-Dieu de Beaune
Such lovely beams under the ceiling. I think the inscription says Seule * as seule etoile, meaning the founder's wife. - Casket in Salle Saint-Louis
A 15th century casket shows a woman plaiting a crown and a man playing a harp. - Tapestry
A magnificent almost 8 m long "thousand flowers" tapestry is from the 16th century. What an interesting motif... - Beaune Polyptych
The Polyptych altarpiece of the Last Judgement by Rogier van der Wayden, dating from ~1446. Opened central panel shows Christ on a rainbow and Archangel Michael below him with the scale to weigh souls, with heaven being on the left and hell on the right. - Beaune Polyptych detail
The red angel above Nicolas Rolin's head holds a golden helmet. - Beaune Polyptych
Closed altarpiece shows Nicolas Rolin, Chancellor of Burgundy, and his wife Guigone de Salins, who founded the hospice in 1443. In the center are St. Sebastian and St. Anthony with the Annunciation on top. While the wife has a 'proper' white angel, the red angel of Nicolas looks quite devilish to me. - Beaune Polyptych detail
Another lovely detail of the Beaune altarpiece. A piglet hiding behind the painted statue of Saint Anthony. - Vézelay Abbey
The portal on the exterior of the church. - Vézelay Abbey
A lovely detail on the facade indicates the grandeur inside. - Vézelay Abbey
St Paul the Hermit's burial. Saint Anthony burying Saint Paul, with two lions digging the grave. - Vézelay Abbey
The crypt - Château de Chenonceau
Chambre des Cinq Reines Room of the daughters and daughters-in-law of Catherine de Médicis: La Reine Margot, Elisabeth of France, Maria Stuart (wife of François II), Elisabeth of Austria (wife of Charles IX), and Louise of Lorraine (wife of Henri III). - Château de Chenonceau
La chambre de Catherine de Médicis The rooms were quite cosy with fireplaces, wooden ceilings and the walls covered with Flemish tapestries. - Château de Chambord
One of the famous Flemish tapestries commissioned by Francis I in 1532. It depicts the story of Scipio Africanus, the Roman General who defeated Carthage. The oxen are taken to the temple of Jupiter to be sacrificed, while the elephants and camels carry the wealth brought back from Africa. - Bayeux Cathedral
One of the many angels in the crypt. They play all sorts of instruments. - Bayeux Cathedral
15th century fresco of angels in the crypt. - Bayeux Cathedral
The ceiling in the Bayeux cathedral choir shows various local bishops and saints. The whole cathedral is indeed a stunning place. - Mont Saint-Michel
Adam and Eve's expulsion from Paradise, 1546. - Mont Saint-Michel
Christ's Descent into Limbo, 1547. What cuties these little devils are. - Cairn of Barnenez
Art exhibition by local kids. Love it! - Pomposa Abbey
What a lovely peacock. A peacock is apparently considered incorruptible, representing the yearning for heavenly beatitude. - Pomposa Abbey
Frescoes in the refractory. - Pomposa Abbey
The Chapter House with early 14th century frescoes by a direct pupil of Giotto. In the center is Saint Guido, the Abbot of Pomposa (970-1046), on the left Saint Paul and on the right a pair of prophets, Moses and David. Note the horns on Moses :-) - Pomposa Abbey
Another fresco in the Chapter House, this one depicts Saint Benedict. - Pomposa Abbey
In the apse, Christ sits on the throne surrounded by musician angels and saints. Below is the procession opened by the Virgin Mary with St. Benedict. The Abbot Andrea, who ordered the work in 1351 is kneeling down on the left. The bottom part tells the story of Saint Eustace. Fresoes by Vitale da Bologna. - Pomposa Abbey
Ah, the Last Judgment. The Hell is interesting as there are people actually being tortured. Often they are just being taken by all sorts of cute creatures. - Pomposa Abbey
Some of the frescoes are even older, from the 10th century. - Pomposa Abbey
The church is full of 14th century Bolognese school frescoes, depicting Old Testament, New Testament and the Apocalypse. - Mausoleum of Galla Placidia
The Mausoleum of Galla Placidia was built between 425 and 450. Galla Placidia was the daughter of the Roman emperor Theodosius I. - Mausoleum of Galla Placidia
My favourite part of the ceiling. So intense. Unfortunately, the illumination of the whole mausoleum was almost nonexistent... - Mausoleum of Galla Placidia
Deer drinking water. At first I thought they were eating watermelons :-) And then there are two more apostles around the chi-rho-alpha-omega sign. - Mausoleum of Galla Placidia
Either Saint Lawrence or Saint Vincent. And come fantastic decorative mosaics. - Mausoleum of Galla Placidia
Each side has two apostles and a pair of doves. - Mausoleum of Galla Placidia
Above the entrance, there is the mosaic of the Good Shepherd. - Mausoleum of Galla Placidia
Plenty of sarcophagi around here. - Basilica of San Vitale
The mosaics here are just insanely beautiful. - Basilica of San Vitale
What a difference between the two sides! Separated by the great arch, decorated with fifteen mosaic medallions: Jesus Christ in the centre, the twelve Apostles and Saint Gervasius and Saint Protasius, the sons of Saint Vitale. - DSC 4622
Abel sacrificing a lamb to God, and the King of Salem, Melchizedek, offering a loaf of bread. And another God's hand coming from the blue and pink clouds. Heh, Abel has a cottage and Melchizedek a palace. - Basilica of San Vitale
More apostles. And more fish :-) - Basilica of San Vitale
The apostles, decorated with fish! Fish! - Basilica of San Vitale
Part of the Sanctuary. - Basilica of San Vitale
The richness of the mosaic work in crazy. Down to the tiniest details! - Basilica of San Vitale
Probably the most famous mosaic in the church: Empress Theodora, the wife of Justinian I, holding the Eucharistic vessel. On the right might be Antonina, Belisarius’ wife, and other unnamed women, on the left is a court official and an eunuch. The detailing on the dresses (including the Tree Magi!) is insane. - Basilica of San Vitale
The mosaic depicting Emperor Justinian, who ruled the Roman Empire between 527 and 565, and his court. On the right side are the bishop Maximian, a deacon with the Bible, and a subdeacon with a thurible. On the left are probably generals Belisarius and Narses, and some soldiers. Justinian wears red and purple shoes, which only emperors were allowed to wear. And he stands on someone's foot :-) - Basilica of San Vitale
The Lamb of God, supported by four angels standing on blue globes. And plenty of animals, my favourite being peacocks. - Basilica of San Vitale
A young Christ, two angles, St Vitalis on the left and bishop Ecclesius on the right. The bishop offers the church to the Christ, while St Vitalis, covering his hands with a veil, receives the crown of martyrdom. Christ holds a scroll closed with the seven seals of the Apocalypse. - Basilica of San Vitale
Under the arch: Abraham and Sarah feeding the three strangers at Mambre and the Sacrifice of Isaac, with God's hand stopping Abraham from killing Isaac. Over the arch: the prophet Jeremiah, two angels holding a shield, Moses receiving the Law on Mt Sinai. - Museo Arcivescovile
The entrance to the museum. - Saint Andrew's Chapel
Six female martyrs: Daria, Perpetua and Felicitas. On the other side are Eufemia, Eugenia, and Cecilia. - Saint Andrew's Chapel
The dome is decorated with four angels pointing towards IX, and the four symbols of the evangelists. - Saint Andrew's Chapel
Depiction of young Christ with Saint Peter and Saint Paul. - Museo Arcivescovile
Pulpit - ambo (597) shows plenty of animals as well as Saints John and Paul. Made out of a reused old sarcophagus. - Museo Arcivescovile
- Museo Arcivescovile
- Museo Arcivescovile
Apparently a 16th century patera. Whatever that is. - Museo Arcivescovile
Cross of Agnellus, details of the silver medallions. - Museo Arcivescovile
Cross of Agnellus. The silver medallions covering the cross date from the 11th century. - Museo Arcivescovile
The cathedral, the baptistry on the right, and the Museo Arcivescovile on the left. - Sant’Apollinare Nuovo
The Three Magi, Balthasar, Melchior and Caspar. They carry the gifts (gold, frankincense and myrrh) and walk towards the Bethlehem star. - Sant’Apollinare Nuovo
Bottom: Theoderic's palace and the town of Ravenna (PALATIVM and CIVITAS RAVENN). Middle: more unnamed prophets and evangelists. Top: the way of the cross, Resurrection: the women at the tomb, The road to Emmaus, Jesus appearing to the apostles. - Sant’Apollinare Nuovo
Top row is the life of Jesus, middle row the saints, prophets and evangelists, bottom row are the famous processions. Apparently Pope Gregory ordered the mosaics to be blackened, not to distract the worshipers. - Sant’Apollinare Nuovo
The town of Classe (only partially original). Middle: unknown prophets and evangelists. Top: The paralytic at Bethany, The Gerasene Demoniac, The paralytic at Capernaum, The Sheep and the Goats This side shows a much younger beardless Jesus. - Sant’Apollinare Nuovo
Let's go: bottom line: Saints Valeria, Crispina, Lucia, Caecilia, Eulalia, Agnes, Agatha, Pelagia and Euphemia. middle: unnamed saints, prophets, evangelists... carrying scrolls or codices. top: the woman at the well, the woman with the flow of blood, Jesus cures the blind, (partial) the calling of Peter and Andrew. - Sant’Apollinare Nuovo
The ceiling. - Sant’Apollinare Nuovo
The cylindrical campanile dates to the 9th-10th century. - Classe
Moses in the sea of clouds. - Classe
A lot of mosaics were ruined (probably by the Venetians), but the apse and arch remained. We're talking 6th century here. On the top is Christ in a medallion with the Evangelists' symbols, underneath twelve lambs and two palms on the sides. - Classe
Saint Apollinaris praying with 12 little lambs. His coat is covered with golden bees, the symbol of eloquence. Wonderful background decorations, flowers, rocks, plants, birds... - Classe
What an idyllic scene. - Classe
Saint Elijah. - Classe
A 7th century mosaic depicting Abraham, Abel and Melchisedek around an altar. And the Hand. Why are there hinges on the curtains? - Classe
The 6th century abse depicts: - a cross on the sky with 99 stars - the hand of God - Elijah and Moses - three lambs representing Saint Peter, Saint James and Saint John. - Classe
All around the church are images of bishops. I guess this one became a pope. - Classe
One of the many 5th-8th century sarcophagi. This one, called the sarcophagus of the twelve apostles, is one of the oldest ones from the 5th century. - Classe
Saint Ursus, the bishop of Ravenna ca. 405-431. He built the Orthodox Baptistery. - Classe
My guess would be that the difference in green background also means the border between the original and restored mosaics. - Classe
More idyllic scenery. Not all of it is completely original though, but I don't know which part is and which isn't.