- Basilica di San Marco
The roof of the Basilica with Saint Mark, his winged lion and the protecting angels. - West Facade of the Basilica
Depiction of the procession bringing St. Mark's relics to the Basilica, above St. Alipius Gate, probably from the 13th century. - Basilica di San Marco
Basilica at night. - Ca d'oro
Ca d'oro or the Golden house. One of the best examples of Venetian Gothic architecture. It used to be gilded, therefore its name. - La Vierge du Rosaire
A stunning detail on the painting of The Virgin of the Rosary (1510). - Cattedrale di Santa Maria Assunta
Coronation of the Virgin, Filippo Lippi (1467-69). - Collegiata di Santa Maria Assunta
The ceiling was painted with lapis lazuli. - Collegiata di Santa Maria Assunta
- Collegiata di Santa Maria Assunta
The last judgement by Taddeo di Bartolo (1393). The lower part is Saint Sebastian by Benozzo Gozzoli (1465). - Collegiata di Santa Maria Assunta
The last judgement by Taddeo di Bartolo (1393). The hellish part. - Siena Cathedral
The dome is topped with Bernini's gilded lantern. - Siena Cathedral
- Siena Cathedral
A wonderful ceiling, but these heads are a bit creepy. - Siena Cathedral
Detail of Pinturicchio's Mount of Wisdom (1505): Crates of Thebes who is throwing jewels into the sea. - Siena Cathedral
The divine interior of the Cathedral. - Siena Cathedral
More interesting details on the ceiling of the Piccolomini Library. - Siena Cathedral
Ceiling of the Piccolomini Library, painted by Pinturicchio (1503). - Siena Cathedral
Some details on the ceiling of Piccolomini Library. - Santa Maria Assunta
Madonna con Bambino e i Santi Agostino, Girolamo, Martino e Nicola by Matteo di Giovanni (1463). - Diocesan Museum of Pienza - Palazzo Borgia
San Regolo by Domenico di Niccolo "Dei Cori" (1435). - Diocesan Museum of Pienza - Palazzo Borgia
Madonna col Bambino tra i Santi Biagio, Giovanni Battista, Nicola e Floriano by Lorenzo di Pietro - Vecchietta (1465). - Convento de Cristo in Tomar
The Romanesque round church was built in the second half of the 12th century by the Knights Templar. - Monasterio de San Jerónimo
And the very busy ceiling. - Mexuar
Tiles on the wall of the Mexuar Council Hall, which served as the entrance to the Nasrid palace. Plus Ultra was the motto of king Charles V. - Hôtel-Dieu de Beaune
Such lovely beams under the ceiling. I think the inscription says Seule * as seule etoile, meaning the founder's wife. - Casket in Salle Saint-Louis
A 15th century casket shows a woman plaiting a crown and a man playing a harp. - Beaune Polyptych
The Polyptych altarpiece of the Last Judgement by Rogier van der Wayden, dating from ~1446. Opened central panel shows Christ on a rainbow and Archangel Michael below him with the scale to weigh souls, with heaven being on the left and hell on the right. - Beaune Polyptych detail
The red angel above Nicolas Rolin's head holds a golden helmet. - Pomposa Abbey
The Chapter House with early 14th century frescoes by a direct pupil of Giotto. In the center is Saint Guido, the Abbot of Pomposa (970-1046), on the left Saint Paul and on the right a pair of prophets, Moses and David. Note the horns on Moses :-) - Pomposa Abbey
Another fresco in the Chapter House, this one depicts Saint Benedict. - Pomposa Abbey
In the apse, Christ sits on the throne surrounded by musician angels and saints. Below is the procession opened by the Virgin Mary with St. Benedict. The Abbot Andrea, who ordered the work in 1351 is kneeling down on the left. The bottom part tells the story of Saint Eustace. Fresoes by Vitale da Bologna. - Mausoleum of Galla Placidia
My favourite part of the ceiling. So intense. Unfortunately, the illumination of the whole mausoleum was almost nonexistent... - Mausoleum of Galla Placidia
Deer drinking water. At first I thought they were eating watermelons :-) And then there are two more apostles around the chi-rho-alpha-omega sign. - Mausoleum of Galla Placidia
Either Saint Lawrence or Saint Vincent. And come fantastic decorative mosaics. - Mausoleum of Galla Placidia
Each side has two apostles and a pair of doves. - Mausoleum of Galla Placidia
Above the entrance, there is the mosaic of the Good Shepherd. - Basilica of San Vitale
The mosaics here are just insanely beautiful. - Basilica of San Vitale
What a difference between the two sides! Separated by the great arch, decorated with fifteen mosaic medallions: Jesus Christ in the centre, the twelve Apostles and Saint Gervasius and Saint Protasius, the sons of Saint Vitale. - DSC 4622
Abel sacrificing a lamb to God, and the King of Salem, Melchizedek, offering a loaf of bread. And another God's hand coming from the blue and pink clouds. Heh, Abel has a cottage and Melchizedek a palace. - Basilica of San Vitale
More apostles. And more fish :-) - Basilica of San Vitale
The apostles, decorated with fish! Fish! - Basilica of San Vitale
Part of the Sanctuary. - Basilica of San Vitale
The richness of the mosaic work in crazy. Down to the tiniest details! - Basilica of San Vitale
Probably the most famous mosaic in the church: Empress Theodora, the wife of Justinian I, holding the Eucharistic vessel. On the right might be Antonina, Belisarius’ wife, and other unnamed women, on the left is a court official and an eunuch. The detailing on the dresses (including the Tree Magi!) is insane. - Basilica of San Vitale
The mosaic depicting Emperor Justinian, who ruled the Roman Empire between 527 and 565, and his court. On the right side are the bishop Maximian, a deacon with the Bible, and a subdeacon with a thurible. On the left are probably generals Belisarius and Narses, and some soldiers. Justinian wears red and purple shoes, which only emperors were allowed to wear. And he stands on someone's foot :-) - Basilica of San Vitale
The Lamb of God, supported by four angels standing on blue globes. And plenty of animals, my favourite being peacocks. - Basilica of San Vitale
A young Christ, two angles, St Vitalis on the left and bishop Ecclesius on the right. The bishop offers the church to the Christ, while St Vitalis, covering his hands with a veil, receives the crown of martyrdom. Christ holds a scroll closed with the seven seals of the Apocalypse. - Basilica of San Vitale
Under the arch: Abraham and Sarah feeding the three strangers at Mambre and the Sacrifice of Isaac, with God's hand stopping Abraham from killing Isaac. Over the arch: the prophet Jeremiah, two angels holding a shield, Moses receiving the Law on Mt Sinai. - Museo Arcivescovile
The entrance to the museum. - Saint Andrew's Chapel
Six female martyrs: Daria, Perpetua and Felicitas. On the other side are Eufemia, Eugenia, and Cecilia. - Saint Andrew's Chapel
The dome is decorated with four angels pointing towards IX, and the four symbols of the evangelists. - Saint Andrew's Chapel
Depiction of young Christ with Saint Peter and Saint Paul. - Museo Arcivescovile
Cross of Agnellus, details of the silver medallions. - Museo Arcivescovile
The cathedral, the baptistry on the right, and the Museo Arcivescovile on the left. - Sant’Apollinare Nuovo
The Three Magi, Balthasar, Melchior and Caspar. They carry the gifts (gold, frankincense and myrrh) and walk towards the Bethlehem star. - Sant’Apollinare Nuovo
Bottom: Theoderic's palace and the town of Ravenna (PALATIVM and CIVITAS RAVENN). Middle: more unnamed prophets and evangelists. Top: the way of the cross, Resurrection: the women at the tomb, The road to Emmaus, Jesus appearing to the apostles. - Sant’Apollinare Nuovo
Top row is the life of Jesus, middle row the saints, prophets and evangelists, bottom row are the famous processions. Apparently Pope Gregory ordered the mosaics to be blackened, not to distract the worshipers. - Sant’Apollinare Nuovo
The town of Classe (only partially original). Middle: unknown prophets and evangelists. Top: The paralytic at Bethany, The Gerasene Demoniac, The paralytic at Capernaum, The Sheep and the Goats This side shows a much younger beardless Jesus. - Sant’Apollinare Nuovo
Let's go: bottom line: Saints Valeria, Crispina, Lucia, Caecilia, Eulalia, Agnes, Agatha, Pelagia and Euphemia. middle: unnamed saints, prophets, evangelists... carrying scrolls or codices. top: the woman at the well, the woman with the flow of blood, Jesus cures the blind, (partial) the calling of Peter and Andrew. - Sant’Apollinare Nuovo
The ceiling. - Sant’Apollinare Nuovo
The cylindrical campanile dates to the 9th-10th century. - Classe
Moses in the sea of clouds. - Classe
A lot of mosaics were ruined (probably by the Venetians), but the apse and arch remained. We're talking 6th century here. On the top is Christ in a medallion with the Evangelists' symbols, underneath twelve lambs and two palms on the sides. - Classe
Saint Apollinaris praying with 12 little lambs. His coat is covered with golden bees, the symbol of eloquence. Wonderful background decorations, flowers, rocks, plants, birds... - Classe
What an idyllic scene. - Classe
Saint Elijah. - Classe
A 7th century mosaic depicting Abraham, Abel and Melchisedek around an altar. And the Hand. Why are there hinges on the curtains? - Classe
The 6th century abse depicts: - a cross on the sky with 99 stars - the hand of God - Elijah and Moses - three lambs representing Saint Peter, Saint James and Saint John. - Classe
Saint Ursus, the bishop of Ravenna ca. 405-431. He built the Orthodox Baptistery.