- Chiesa di Sant'Andrea
Frescoes on one of the columns. - Chiesa di San Pietro Extra Moenia
The two panels indicating the contrast between posthumous fates of a righteous man (above) and of a sinner (below). - Chiesa di San Pietro Extra Moenia
The story about the lion and the woodcutter. - Chiesa di San Pietro Extra Moenia
The reliefs depicting Christ washing Peter's feet (top) and the calling of Peter and Andrew on the Sea of Galilee (bottom) - Cattedrale di Santa Maria Assunta
The mosaic portraying Christ giving a Benediction, signed by Solsternus (1207). Let that sink in. 1207. - Piazza Pianciani
- Collegiata di Santa Maria Assunta
The Dome dates from the 12th century. Its 14th century interior is simply divine. - Collegiata di Santa Maria Assunta
Old Testament by Bartolo di Fredi (~1360). - Collegiata di Santa Maria Assunta
The ceiling was painted with lapis lazuli. - Collegiata di Santa Maria Assunta
New Testament by Barna da Siena and/or Lippo Memmi (~1345). - Collegiata di Santa Maria Assunta
- Siena Cathedral
View of the Cathedral from Via Bruno Bonci. - Siena Cathedral
- Loggia della mercanzia
Frescoes by Pastorino dei Pastorini (1549-1552). - Siena Cathedral
She-wolf of Siena, surrounded with emblems of confederate cities, dating from 1373. - Siena Cathedral
Detail of Pinturicchio's Mount of Wisdom (1505): Fortuna, holding a horn of plenty and a wind-swollen sail. She, standing on a sphere and a boat with a broken mast, brought the wise men to the island. - Siena Cathedral
- Siena Cathedral
The Hellespontine Sibyl (detail) by Neroccio di Bartolomeo. She was known for her prediction of Crucifixion. The wolf and the lion represent Siena and Florence. - Siena Cathedral
The divine interior of the Cathedral. - Siena Cathedral
Floors in the Piccolomini Library. - Santa Maria Assunta
A wonderful ceiling! - Santa Maria Assunta
- Palazzo Comunale
The entrance to the Palazzo Comunale. - Basilica of Santa Maria Novella
One of the many sails on the facade, which was added to the church in 1456–1470. - Giovanni delle Bande Nere
Giovanni delle Bande Nere (1498–1526) was the father of Cosimo I de Medici. The statue is by Baccio Bandinelli (1560). - Cattedrale di Santa Maria del Fiore
The cathedral was built between 1296 and 1436, but the facade was added 1887. I feel like I have been lied to. - Cattedrale di Santa Maria del Fiore
- Giotto's Campanile
Giotto stared building this tower in 1334. He combined white marble from Carrara, green marble from Prato, and red marble from Siena. The tower was completed in 1359. - DSC 9615
- Fountain of Neptune
Designed by Baccio Bandinelli and created by Bartolomeo Ammannati between 1560 and 1574. - Palazzo Vecchio
A lion in the Palazzo Vecchio. No, this time we didn't enter it, just walked around the palace a bit. - Palazzo Vecchio
Officially, such decorations are called grotesque. - Palazzo Vecchio
Grotesque or not, I like them a lot. - David, of course
A copy of Michelangelo's David. The original (1504) was moved to Galleria dell'Accademia in 1873. - Hercules and Cacus
Hercules and Cacus by Baccio Bandinelli (1525-1534). - Medusa
Medusa's head from the statue Perseus with the Head of Medusa by Benvenuto Cellini (1545-1554) located in the Loggia dei Lanzi. - Rape/kidnapping of the Sabine Women
English wikipedia: Rape, also known as kidnapping. Slovenian wikipedia: Kidnapping, also known as rape. Oh well. By Giambologna (1583). - Fountain of Neptune
Designed by Baccio Bandinelli and created by Bartolomeo Ammannati between 1560 and 1574. - History of Lisbon
A complete Lisbon history in one passage. Mural by Nuno Saraiva. Every city should have a mural like this one. - Convento de Cristo in Tomar
The Romanesque round church was built in the second half of the 12th century by the Knights Templar. - Convento de Cristo in Tomar
São Cristóvão - Saint Christopher (1484-1500) - Janela do Capítulo
The famous Manueline Window of the Chapter House (1510-1513). - Room of discoveries
Ceiling in the Room of Discoveries by Bernardo António de Oliveira Góis (c. 1770-c. 1820) and Cyrillo Volkmar Machado (1748-1823). - Convento dos Capuchos
The Door of Death is the entrance to the monastery. - Mexuar
Tiles on the wall of the Mexuar Council Hall, which served as the entrance to the Nasrid palace. Plus Ultra was the motto of king Charles V. - Hall of the Ambassadors
Detail on the Hall walls, part of a larger inscription in Kufic script. One can still see traces of blue colour, as these arabesque and geometric motifs were originally painted with bright colours. - Hall of the Abencerrajes
The ceiling in the Hall of Abencerrajes. The decorations are called muqarnas, and in the museum is a very instructive exhibition on how such a ceiling was made. Basically a lot A LOT of tiny pieces (alveoles) put together. - Ornaments
- Zellij in Alhambra
More wonderful zellij pattern in the palace. - Stucco in Alhambra
Detail of stucco on the wall indicating that the decorations were indeed colourful. - Tapestry
A magnificent almost 8 m long "thousand flowers" tapestry is from the 16th century. What an interesting motif... - Beaune Polyptych
Closed altarpiece shows Nicolas Rolin, Chancellor of Burgundy, and his wife Guigone de Salins, who founded the hospice in 1443. In the center are St. Sebastian and St. Anthony with the Annunciation on top. While the wife has a 'proper' white angel, the red angel of Nicolas looks quite devilish to me. - Bayeux Cathedral
The ceiling in the Bayeux cathedral choir shows various local bishops and saints. The whole cathedral is indeed a stunning place. - Museo Arcivescovile
The entrance to the museum. - Saint Andrew's Chapel
Six female martyrs: Daria, Perpetua and Felicitas. On the other side are Eufemia, Eugenia, and Cecilia. - Saint Andrew's Chapel
The dome is decorated with four angels pointing towards IX, and the four symbols of the evangelists. - Saint Andrew's Chapel
Depiction of young Christ with Saint Peter and Saint Paul. - Museo Arcivescovile
Pulpit - ambo (597) shows plenty of animals as well as Saints John and Paul. Made out of a reused old sarcophagus. - Museo Arcivescovile
- Museo Arcivescovile
- Museo Arcivescovile
Cross of Agnellus, details of the silver medallions. - Museo Arcivescovile
The cathedral, the baptistry on the right, and the Museo Arcivescovile on the left. - Sant’Apollinare Nuovo
Bottom: Theoderic's palace and the town of Ravenna (PALATIVM and CIVITAS RAVENN). Middle: more unnamed prophets and evangelists. Top: the way of the cross, Resurrection: the women at the tomb, The road to Emmaus, Jesus appearing to the apostles. - Sant’Apollinare Nuovo
Top row is the life of Jesus, middle row the saints, prophets and evangelists, bottom row are the famous processions. Apparently Pope Gregory ordered the mosaics to be blackened, not to distract the worshipers. - Sant’Apollinare Nuovo
The town of Classe (only partially original). Middle: unknown prophets and evangelists. Top: The paralytic at Bethany, The Gerasene Demoniac, The paralytic at Capernaum, The Sheep and the Goats This side shows a much younger beardless Jesus. - Sant’Apollinare Nuovo
Let's go: bottom line: Saints Valeria, Crispina, Lucia, Caecilia, Eulalia, Agnes, Agatha, Pelagia and Euphemia. middle: unnamed saints, prophets, evangelists... carrying scrolls or codices. top: the woman at the well, the woman with the flow of blood, Jesus cures the blind, (partial) the calling of Peter and Andrew. - Classe
My guess would be that the difference in green background also means the border between the original and restored mosaics.